Yankee Fury Meets Old Dominion

By David Kaplan

The blue, rusted 1973 Plymouth Fury creeped up the steep motel driveway’s curved path. The car seemed to struggle up the hill. Perhaps it was just as exhausted and deflated as its four passengers were. It had been nearly eight hours since we left humid pre-dawn Brooklyn and arrived in sweltering Virginia Beach.

The smell of surf and cotton candy wafted through the car’s half-hearted and wheezing air conditioning system as we drove by a blur of souvenir shops. Rows of t-shirts on plastic hangers above storefronts all flowing in the breeze with endless versions of the tourist slogan, “Virginia is for lovers (heart)” calling out to passersby like flags.

My younger brother had slept most of the time. His slumber was interrupted by the need to throw up the stack of pancakes and bacon he whined my parents to order him at the rest stop at hour three in our journey. He managed to remain asleep as my parents spent the rest of the trip arguing over the directions.

“You missed the god damn turn – again,” my mother shouted, somehow never letting the Winston cigarette fall from her lips and into the crumpled up map on her lap.

“Shut the hell up, ya idiot! You’re no help! You’re supposed to tell me before — ya hear me!? Before! Beeeee-FAWWWWWRRRR — the turn comes up! Not 10 minutes after! Ya dummy!” my father thundered. As he shouted, his spit accumulated on the inside of windshield. When he stopped, it looked like there had been a mini-rainstorm just over the spot where my father’s line of sight was.

“Ah, drop dead!” my mother shouted back. “You’re being an asshole! Like always! This is the last trip, I swear to god!”

“Go jump in a lake!” my father huffed, his rage distracted by the Chevy the pulled in front of him, setting off paroxysms of honking.

Between the sound of my father gritting his teeth and the squeak of his sweaty palms strangling the steering wheel, my mother’s guttural sighs, my brother’s snores, and the AM radio playing Bread’s “I Want To Make It With You” for the 17th time that day, I had developed a splitting headache. I could have sworn that my twitchy eyelid was making a flicking sound that echoed throughout the car.

Finally, the unlit neon of the Bel Aire Two Motel beckoned us. My father swung the car hard right across one lane of traffic to enter the property.

He stopped the car in front of the entrance, which was covered in a tattered, narrow canopy that offered a sliver of shade. For a second, we sat frozen. It was as if we knew solace and rest were going to be dangled and cruelly ripped away before we could grasp it. After a beat, the family slid out of the car into the heavy, late afternoon heat.

We walked single file and pushed past two sets of glass doors. A man with bright blue eyes and leathery skin that looked like he had started to melt in the heat turned with a wide smile. He was wearing a deep blue shirt, white shorts and sweat socks pulled up to knees. He looked like a retired tennis player who had never made it out of the lower tours.

“Well, hellllllooooo, folks! What can Dan the Man do for y’all?”

My father, his crankiness ebbing to a slow, tired burn, handed over his AAA coupon that he had my mother give him before exiting the car. As the sole holder of a driver’s license, the official presenting of the “10 percent off one night’s stay at Virginia Beach’s famous Bel Aire 2 Motel” was a ceremonial gesture only he could perform. So be it. My mother popped a stick of Juicy Fruit in her mouth.

Dan the Man placed two keys on the glass countertop. One pentagonal fob was sky blue, the other was brick red. Both sported the motel’s name in white script.

My father handed over his charge card. And then he looked up. There was a line of dollar bills taped to the wall over Dan’s head. Dan was bald at the top. His face was framed on the sides and back by hooks of white hair combed in a broad wave over his ears. The brightness of his locks were contrast to his deep wrinkled tan.

“What the hell’s that?” my father said, his eyes narrowing.

Dan turned around.

“Why, it’s a row of dollars, sir!” he said. His voice was hyperbolically friendly and upbeat. However, his last word seemed to carry low grade sarcasm and a hint of menace.

“No, I mean that one,” my dad said pointing at the center, his own voice turning into a growl.

In the middle of the eight faded dollar bills excessively scotch-taped to the wall was a greenback with a cartoon image of Adolph Hitler where Washington’s portrait by Gilbert Stuart would typically be situated.

“You should take that down. Now!” my father said. “What the hell kinda place is this!”

“Awww, c’mon, it’s a joke,” Dan said, leaning over blinking his eyes in faux sweetness. He enunciated the words carefully, as if he were talking to an insipid group of children.

“That’s an insult to America! That’s illegal! You can’t do that with American money! I’m gonna report ya to the triple-A, ya wise ass!”

“Sirrrrrr, you don’t have to stay here,” Dan said with a shrug. You could tell he waited once a month to get that reaction. He response felt practiced.

“C’mon, we’re getting outta this dump. I’m telling the triple-A, ya fuckin’ son of bitch! I warned ya!” My father spat when he got outside and threw himself into the car. I turned and saw Dan, his eyes staring at us as if to say, “Got ‘em again.”

Two hours later, about 8pm, we were all sitting poolside at the East Western Motel. It faced the Bel Aire Two across the highway.

My brother was in the pool splashing. My mother was asleep on a lounge chair. I was hungry. I asked my father if he wanted something from the candy machine. He was too lost in his thoughts to hear me.

“I should have punched that asshole. Maybe I’ll go back there and do it. I should. Somebody has to. Who the hell is he to do that? We’re going home tomorrow. Screw this stupid place. You know what? I came here to relax. We’re going to enjoy ourselves. We can have anything in this shitty place.”

A plan was hatching. He was brimming. He was calm now. Hopeful even. A motel manager wouldn’t be allowed to change our big vacation plans. He wouldn’t get that satisfaction. We were here to experience a vacation in all its coastal glory. We were 350 miles from home. We could do whatever we wanted here.

“Tonight, we’re going out! We’re getting pizza!”

The Slow Life of a Pine

By Cat Weaver

The day and the night were as breathing out and in
Each year a day
Spring, the morning and summer the afternoon
Fall the sweet cool evening and 
Winter was for sleeping

Slowly the tree lived 
Slowly knowing the others around her
Slowly she widened and reached toward the canopy

Owls, raccoons, possums, and ants she cradled in her giant arms
Children and neighbors, loved ones in her shade

But the fire happened in moments:
Cut a swath through her world
And filled it with death and the panic
Heat choked breathing in and it drowned breathing out 
The kind air suddenly unkind

The tree sagged as smoke rose up
Singing meloncholy through the empty spaces
And the pines’ despair vibrated through the forest
Where they held vigil amongst embers and hope — awaiting rain 

His Favorite Table

By David Kaplan

The late afternoon April sun gave the green awning over the outdoor seating a golden glow. Erik had just finished arranging the placements on table 35. It was his preferred spot to sit during breaks. He would have some coffee and a pastry and let his mind go blank. The two-hour pre-dinner setup time was so relaxed and orderly. He loved the routine. Most of his co-workers thought differently. They were restless. The manager’s thick, calloused fingers would tap out figures on a 30-year-old calculator that printed out receipts on translucent rolls of paper. The ink looked like it hadn’t been changed in 30 years either.

On this day, Erik took a small plate of pasta and a small glass of the house red and sat down at table 35. It had four seats and he took the far one and looked out at the other patio spots.

The table was situated in a corner. Erik’s back was against the planter with hedges that rose 7 feet high. It made it look like a garden in the middle of the block on two-way Karemin Street. A light breeze wove through the close-cropped brown curls that were graying at the sides.

He leaned against the rough the beige brick wall and took a sip of the wine. Andre, the new waiter sat down facing him without preamble. Erik didn’t look up from his pasta. It was pappardelle with short rib ragu with castelvetrano olives. It was barely warm and Erik was determined not to be distracted.

“They don’t respect us,” Andre said, lighting a cigarette. Even though it was outside, the restaurant had a no smoking policy. Andre’s round, jowly face was red and he was sweating profusely.

“Who?” Erik said, sucking in the sauce from the corners of his mouth. He didn’t look up. His eye focused on the olive that slipped off his fork.

“Everybody! The customers—” Andre turned his head to the glass doors and saw the manager was gone—“and the owners.”

“So what else is new?” Erik said, rolling the pasta around his fork and stabbing at that stray olive.

“I hate this. Every day, some smart ass sits down at this table and tries to make the small talk. Just order already! I got six other fuckin’ tables, ya stabooch! God damn it! They always ask, ‘So, are you an actor or what?’ Or what! I’m fucking waiter, just order the Caesar salad, you stupid son of a mangaroni.”

Andre seemed to just make up Italian-sounding words when he complained. He was from Jersey. He would be fired by the time the summer comes.

“I thought you were an actor. I saw your commercial last night. You were good.” Erik hated the commercial.

“That’s not the point! God, you’re so… ”

“Jaded?”

“Yeah, you’re jaded.”

Erik shrugged. Andre flicked his cigarette over the hedge and made a point of scaping the chair away from the table. He leapt out of the seat without another look and went back inside to find someone else to complain to.

Erik opened his phone slid his finger up to reveal a text from Natalie.

“Hey!!!!!!!!!!!! Guess wutttttt!!!!!!”

What, Erik typed and hit send.

“I got the part!!!! Bring home wine to celebrate!”

“Why don’t you meet me here at midnight? I have the table.”

Outside Looking In

By Cat Weaver

Aida Boswell, sitting in an Uber, thumbing her phone, tweeted out a brief update. “This sunny fall day takes me to Savannah, GA, where I will visit the home of Maeve Tubbs, a morbidly obese housebound woman who ‘feels numbers.'”

Max had warned her that these irreverent little tweets struck a negative note, but Aida assured him that her following was aware that she loved her oddball peeps: the finger painters and wire twisters, lint-savers and spell casters: all of them, very much.

“Still,” Max Poe, who knew a lot about negative press, had countered, “not every follower is a follower.”

He’d hired her for her following. She was, he’d told her, the fresh young face of Max Poe’s newest venture, the UpSoFloating gallery, featuring strictly fresh totally unschooled artists.

Staring now, at a photo of Maeve, huge on her couch in her huge house covered in fantastic scrolling numbers, Aida wondered that anyone could possibly think that anyone would fail to see the woman as anything short of miraculous.

Maeve is housebound, so obese that every normal activity is a struggle. Still, she has managed to cover nearly every inch of her kitchen, huge panels in her living room, the canvas covered couch, chairs and the lampshades with intricate markings, most of them recognizable as numbers.

Scrolling through, Aida stares at the outside, front view of the house, top to bottom covered. These markings, along with those that form mosaic designs covering the steps and the path leading to the front door, were made by Maeve when she was newly married, 40 years ago now, a healthier (though always hefty) size. Roy, her husband who used to take care of her, had passed about five years ago now. Aida scrolls to a wedding photo: the two of them, looking through the photographer and straight at Aida. She, blond haired, huge red arms and florid face beaming. He, dark, defiant, glowering – shining black hair of an astounding height. Gorgeous, thinks Aida. Just too too.

“I been scratchin’ these numbers since I’s three, four. Didn’ know my numbers, but I’d be scratchin’em anyways. Onna sideboards, the floor. Onna bedposts. An rocks. Stuff.”

Every bit as astounding in person as in the photos, Maeve motions toward a kettle near her hand. On it, an elaborate number seven is scraped into the copper along with a few rudimentary symbols and a spiraling nine: “Did that’n when I was four.”

The entire kitchen space is etched with these numbers, mostly 7s. There are filler-markings too, recognizable as perhaps as numbers but not necessarily. Maeve calls these “omens” and has some tattooed up her right arm: claims they direct her gestures when she makes her drawings.

Aida takes Maeve’s hand, and holds the arm outward, taking a picture with her phone.
“Maeve, they are so beautiful. Who inked them for you?”

“Me,” she sniffs, looks over her shoulder, turns back to Aida.“Me an’ Roy,” she adds, then looks over her shoulder again, nods, and clarifies, “I drew’em. HE inked ‘em.” Aida stares over Maeve’s shoulder. There’s no one there, no object or animal either.

Maeve suddenly throws a rumpled sketch pad toward a small boy crouching near the doorway.

“Morris, You git offa that cat! “

The missile flutters wide of its mark. Young Morris was playing with a cat when I entered. It seems now that he’s hog tied the poor animal and is prying it’s eyes open.

“Bart! Bart you git down here an look after your brother.”

As the cat struggles, A stunningly beautiful boy appears on the stairwell.

“What about Morris?” He asks, peering down between the rails.

The cat escapes.

“Nothin’. Just. You look after your brother, goddammit. He’s a psycho torturin that cat again.”

Bart silently returns upstairs.

Looking again at Maeve, Aida notes now, the same beauty in her face. The broad cheekbones, huge window-wide eyes. Her hair blond in youth is now brilliant white. This family. They look unworldly.

“He been at that cat for a week now, tryn ya see into iz eyes.”

Hippies Wouldn’t Hang That

By David Kaplan

The diver stood at the edge of the pool. His body was tan and taut. Maybe he was an Olympian. Brightness reflected off his white trunks and matching swimming cap like a mirror, almost blinding the viewer. His back was arched. His knees were bent. The water splashing over the pool’s edge, tapping his first two toes. The sky was cloudless azure. The water in ripples and small rounded waves was dark royal.

“It’s wrong, it’s all completely wrong,” Susan said. “They’d hate it. They wouldn’t know what to do with it. It’ll clash with their precious ikat couch. It makes me sick just imagining it.”

“You think they think everything has to match the couch – they might look at it differently,” Robert said, staring at the painting. He really liked it.

The gallery was a single room in a storefront on Essex St. Three walls with a door leading to the back. Or it could have been leading to a bathroom.

The receptionist, a brown-haired woman in pumps, looked like she’d walked out of mail order catalogue for serious graduate students. Even though it was a humid July day, she was wearing a long-sleeve black mock turtleneck and a paisley skirt. On her desk was a pile of 12 desultory placed brochures, a paperback copy of Foucault’s Discipline and Punish, and an empty bottle of water, its plastic ribs crushed inward as if to remind her she was done. (Secretly, this model gallerista stared out the wall-size glass window at the street and wished the couple would leave so she could fart in peace and close up.)

“Look at the price – it’s only $480. We can afford that. It might be worth something someday,” Robert said.

The receptionist huffed, but only Susan seemed to hear her.

“This is the first thing we looked at, there are three other places we should visit first,” Susan said. “You just don’t want to do this.”

“Oh, I think I said that yesterday. I think I said: ‘I don’t want to do this.’ You can’t buy them art. They don’t have taste. And you should know, you can’t just hand people taste and change their lives, let alone their living room.”

“I hate their living room. I can’t go and look at their blank walls with just a dream catcher. It makes me sick. I’m serious, Robert. I get visual bulimia when we go over there.”

Robert stared back at the painting. He wanted to leave. But he really liked it. Still, did he want to spend $480 on it? Maybe he could negotiate for $400. Would they really make a big deal about $80?

Susan was getting claustrophobic. The air in this closet of a gallery was starting to get foul. She held her breath a bit and exhaled.

“C’mon, let’s just get a drink,” she said. She knew that would get him to move.

Robert sniffed and shook his head as he turned toward the door.

“Yeah, the hippies wouldn’t hang that. ”

Womb

By Cat Weaver

women, measuring their envy in eyelashes
back when women hated each other enough to say so
the pain the beauties caused with a humble arsenal of cheek bones and laughter
far away now
a privilege —sexual competition

Ingrid sat cross-legged on her bed with Eve in her lap. She was thinking about her days in graduate school again. Sex. How it fueled so much of their social life back then.

bodies
trying to trick us
wombs and all those useless men
Bill who lectured Lisa — seemed like hours
I sat on my mattress— just like this —in my room and listened to his droning —awful
when she had tired of him
complained he had holes in his tighty whities
as though that sort of thing that made a difference
shabby when a new interest…

Eve purred louder, interrupting Ingrid’s disgust, ribs hinging up and down: pure joy.

memories, like a finger down the throat
Oh —that too
no one thin enough Dylana watching me make a sandwich, suggesting a slice of apple
watched me eat it
for love of her tiny arms
my god her tiny arms
jealous hungry Rob
throwing up ‘round back behind the club with its booming music and lines of coke in the bathroom
Rob in so much pain that he shed it like a virus

Ingrid looked out the window which faced the courtyard. Someone had pissed near the garbage cans, so she couldn’t open it to let the summer air inside. Reluctant to move, she cast her eyes around the small room she rented in a tiny apartment half-buried underground.

this
what a MA will get you
half a headache half an apartment half paid bills
half a fucking bed

“A roommate who smells like chips,” she said aloud, picking Eve off her lap, laying her back down on the bed.

what in hell were we all so goddam giddy about?
bodies young bodies doing body things
flailing
failing to replicate

In the kitchen, where Ingrid put on some tea, cockroaches skitteled away from the packages.

Something About Ghosts

By David Kaplan

When it comes down to it, you have to embrace the mystery. That’s what Kassiday says. It’s not quite a knee-jerk reaction to a question without a clear solution. Sometimes it is the only answer. Sometimes she opts to change the subject. She has no tolerance for dead-ends. She otherwise hates repeating herself. But there’s only one answer to “2+2.” She said that once.

At the moment, she’s standing at the second-story living room window. She crosses her navy leggings and hugs a large ceramic coffee mug to her muted fuscia short-sleeve shirt. She’s staring at something. She’s been silent for several minutes. Maybe it’s the artist across the backyard. Maybe she spies the cautious squirrel that has no tail. She lifts her left leg to her right knee and takes a sip. It’s her minimalist Sunday morning ballet.

There’s a rising humming sound. It could be next door — the apartment walls are thin. It could be a construction site several blocks away. The heater clangs and shushes. The sounds push away the gathering wind and the other ambient noise.

My orange coffee cup is empty. I might as well do some work and open my computer. I ask her what she’s looking at. She ignores the question.

“You can’t write when someone is talking to you,” she says, still looking out the window.

“It’s not a problem, really—”

“No — you shouldn’t.”

It’s too cold to work. I need 77 degrees to relax. Anything more or less gets in the way.

“It’s comfortable. You’re just looking for an excuse to procrastinate.” I’m not sure if she just said that or if I just imagined it. Either way, it was more tender than a reprimand.

Maybe it was a ghost.

“You don’t believe in ghosts — or anything, really — but you do like to blame them for everything.” I’m pretty sure she said that just now. She stamps a foot after balancing on one leg for 6 minutes.

I like sitting in my old t-shirt and plaid boxers.

“Here’s a thought: It’s the middle of winter. Maybe if you didn’t dress like you were at Coney Island, you wouldn’t be cold. Just a thought.” She smiles. Then she winces. Almost imperceptibly. But I caught it. She’s had to say that before.

Watch how I change the subject.

“What kind of an idiom is, ‘’Colder than a witch’s tit?’ Who came up with that? How did it gain currency? Did anyone ever say, ‘Hotter’n a warlock’s testicles?’ I have no idea about the temperature of occult figures’ private parts. But it seems like maybe I should popularize that.”

“I guess if you are a witch, your tits are long neglected,” she says. “And no one cares about warlocks. No one ever says anything ‘warlock-related.’ There’s no reference. Except for Harry Potter fans. Or Hobbit people. There’s no image to conjure. So give it up. If you don’t want to be productive, fine. It’s a Sunday. You might as well keep thinking about ghosts.”

Featured Image: by Cat Weaver

Touch

By Cat Weaver

Alan was electric— Renee had touched him. Renee who touched no one —was reputed to be, herself, untouchable for reasons which only the bounds of speculation could limit. 

Renee had touched Alan at the party last night. She was showing him where her chiropractor had put pressure on her neck. The room had fairly gasped in unison— or so it seemed to Alan.  

Maryanne was on fire because Renee had touched Alan. All day she would contemplate how unworthy he was. Alan who studied comparative lit, of all useless things. Speaking in goddam Cantonese just to show off. 

In  the morning, Crawly curled his skinny fingers around Renee’s left pinky.  “Mommy’s up! mommy’s up!”

Renee followed him with one eye as he stalked haughtily across the bedsheets. 

Sartorial Coma

By Cat Weaver


April stared angrily at the look book copy she’d struggled with all morning. It was impossible to say anything about these dresses. They were the sorts one imagined a first lady might wear: the colors, analogous, cheery, optimistic — the silhouettes, careful, tidy, and classic with below the knee hemlines. Peplums, three quarter sleeves, pearl-friendly necklines.

At noon, she had left off for a quick float at the SOMA center, a spa club that offered a variety of bodily solutions, of which, the floatation therapy was her favorite. No longer called “sensory deprivation” floatation therapy involved climbing into a shallow salt bath and floating for an hour, lights on or off, music should you like it.

The experience usually gave April just the right sort of reboot needed to continue her work as a content writer for websites. But this time she’d fallen into a deep sleep.

Her dream was dark and violent. Worse, April half-knew she was dreaming and felt as though she were watching a movie, and participating in it, all at once. She’d left the SOMA center feeling agitated and a little bit angry.

In the dream, she gets lost in a dystopian city divided into tribes of some sort. She wanders into a dangerous part of city where the poorest, most desperate people live. She finds she’s lost her ID and her phone and cannot even recall where she was going or where she lives.

With her at her desk now, even now as she stared at the featureless faces of the models in the jellybean colored look book, was the feeling that she hadn’t really escaped the dream.

Because  in the dream she falls down in an alley and gets covered in the juices and filth from a restaurant’s garbage cans. And then she finds that they’ve closed the gates and she is now a part of this world where everyone wants whatever anyone has.

The fear of rape, pervasive in the dream, seemed, still, to vibrate through her fingers as they shook over the keyboard.

In the dream she knows she must find a clan to ally herself with, to obtain protection. She notices one woman keeps telling all the men she loves them and sleeping with them; it’s her way to avoid rape. April doesn’t want to do this. She casts about for a way to wake up.

Instead the dream becomes April watching the movie of her dream. In the movie of the dream we all notice the sex trader is all cleaned up and wearing a new dress. She tells the tribe that there’s a volunteer service; you give them sex; they clean you up and give you food.

In the dream that’s not a movie April agrees with her clan that this  can be a means of escape. They all volunteer to get cleaned up and to service their patrons.

Once out in the clean part of the city, they will blend in and escape. When they find themselves out of the filth and in a vast spa, they discuss what to do next and many of them realize they have no options.

Now, watching the movie that is the dream that she is in, April watches as her friends back out in fear of life on the outside of the hellish corners they know so well. In a final scene, watched by April as she awoke, the sex trader is rubbing garbage on her new clothes and returning to the colony.

Now, staring once again at the bland offerings in the galling look book, April typed: You can smell the appropriateness.